Video published by Daniel’s Music Foundation here on YouTube (link is external)
Common Chords - Episode 5:
Featuring Bob Kinkel and Santon (Friday, August 27, 2021)
[MUSIC PLAYING]
[IMAGE]
Daniel’s Music Foundation logo. The DMF logo is made up of an arch (half circle) comprised of a music staff, with a treble cleft in the middle, and three musical notes on either side.
ANNOUNCER: Daniel's Music Foundation.
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Show’s logo “DMF common chords” with the tagline “BRINGING MUSICIANS TOGETHER” in black text on a bright magenta pink background, with three black-colored heart shapes interspersed on three horizontal black lines.
[00:00:06.99]
JULIANA: DMF Common Chords.
[IMAGE]
Excerpt video of Iain Forrest aka “Eyeglasses,” who was featured in the third episode of DMF Common Chords, playing a cello. A white DMF logo appears on the top right corner throughout the show.]
JULIANA: A series that pairs musicians…
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The DMF logo in white appears at the top right corner of the screen with the DMF common chords logo in a light pink color on a dark pink background. Video of Andrew Bambridge is on the top left of the screen, video of Iain Forrest is on the top right of the screen, and a video of host Juliana is at the bottom center of the screen. Andrew is musician with brown hair, wearing headphones on his head and dressed in a black round-collar T-shirt, seated in front of a marimba (a large percussion instrument made up of a set of wooden bars—similar to a xylophone—with resonators/pipes suspended underneath the bars to amplify their sound). Iain is a musician with black hair, wearing black eyeglasses and a dark purple button-down shirt, with white wireless earbuds in his ears. The words “Andrew Bambridge ~ YT: Andrew Bambridge” appear in white text in a black box at the bottom of Andrew’s screen. The words “Iain Forrest ~ SM: @Eyeglasses.StringMusic” appear in white text in a black box at the bottom of Iain’s screen. The name “Juliana” appears in white text in a black rectangle with a vertical yellow bar to its left at the bottom left corner of her screen.
JULIANA: …from diverse backgrounds
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Short video of Andrew Bambridge playing the marimba]
JULIANA: …to share their musical gifts with all.
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Excerpt of a music video featuring singer Danielle Hollobaugh, an artist featured in the second episode of DMF Common Chords. Danielle is wearing silver sunglasses and a red dress in the music video. A white DMF logo appears on the top right corner of the screen.
JULIANA: We'll introduce you to new artists…
[IMAGE]
Excerpt video of David Swanson, also known as “The Imperial Stormlooper,” featured artist in the second episode of DMF Common Chords, performing and adjusting knobs on the audio equipment on a table in front of him. The DMF white logo appears on the top right corner of the screen.
JULIANA: …and use the power of music to build a bridge…
[IMAGE]
Excerpt video of both Danielle Hollobaugh and David Swanson on screen together for an interview. Danielle is on the left side of the screen, and David is on the right side. The words “Danielle Hollobaugh ~ IG: @daniellehmusic” appear in black text in a yellow box at the bottom of Danielle’s screen. The words “The Imperial Stormlooper ~ IG: @Stormlooper” appear in black text in a yellow box at the bottom of David’s screen.
JULIANA: … between musicians of all abilities.
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DMF common chords logo with the tagline “BRINGING MUSICIANS TOGETHER”
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Host Juliana is sitting down in her “Studio” with an organ behind her. A potted plant sits on the top right of the organ, and a square sign with the DMF common chords logo sits on the top left. Juliana has long dark hair, and she is wearing a black long-sleeved shirt with white stripes.
[00:00:23.67]
JULIANA: Hello, and welcome back to another episode of DMF Common Chords.
[IMAGE AT BOTTOM OF SCREEN]
Red button with the word “SUBSCRIBE” in white letters and an icon of a hand pointing at the button.
JULIANA: I'm your host, Juliana.
[IMAGE]
[CLICKING SOUND]
Hand icon clicks on button, and the YouTube icon appears on the left.
Text in button changes to “SUBSCRIBED” and button changes to a grey color.
[IMAGE]
[BELL RINGING]
A bell icon appears to the right of the “SUBSCRIBED” button. The hand icon clicks on the bell. The YouTube icon moves to the right side of the screen and disappears.
JULIANA: On this episode, we will feature two brand new, amazing musicians. The artist known as Santon and Bob Kinkel.
[IMAGE]
The DMF logo in white appears at the top right corner of the screen with the DMF common chords logo in a light pink color on a pink background. Video of host Juliana is on the top left of the screen, video of Santon is on the top right of the screen, and a video of Bob Kinkel is at the bottom center of the screen. The word “Juliana” appears in white text in a black box at the bottom of Juliana’s screen. Santon is a pianist wearing dark sunglasses, dressed in a white shirt, and seated in his living room. The word “Santon” appears in white text in a black box at the bottom of Santon’s screen. Bob is a musician wearing a black jacket and black shirt, seated on a black leather couch with brown and gold color tiles on the wall behind him. The words “Bob Kinkel” appear in white text in a black box at the bottom of Bob’s screen. Videos of the host and both artists are visible on the screen at the same time during the group interviews. When each artist is interviewed separately, the videos are of the host and each artist, respectively. The name of the host and each artist appear accordingly in white text below their video screens during the interviews.
JULIANA: Hello, Santon and Bob, how are you guys?
[00:00:43.59]
SANTON: Hi, I'm doing pretty good, thank you for hearing me. And it's a great pleasure to perform for you.
[00:00:49.74]
JULIANA: Oh, Santon, it's an honor to have you. And Bob, how are you doing?
[00:00:55.63]
BOB: Doing great. Happy to be here. Thank you so much for inviting me.
[00:00:59.34]
JULIANA: Good, we are so happy to have you guys here. Thank you for appearing on Common Chords. I'm really looking forward to hearing your music. Let's get started with a little background on our first fabulous artist.
[MUSIC PLAYING]
[IMAGE]
Excerpts of several short videos of Santon playing the piano: (1) Santon on a large concert stage, playing a grand piano surrounded by empty white chairs with organ pipes on the wall behind the stage; (2) Santon playing on a keyboard with a band; (3) Musicians performing on stage; (4) Close-up of Santon playing a piano at the Berklee College of Music; (5) Santon playing the keyboard while two dancers perform the Tango; (6) Santon playing a grand piano in a museum with sculptures and ornately-framed paintings behind him, as a woman, C.D. Collins, speaks into a microphone and the audiences looks on.
[00:01:16.99]
JULIANA: Santon is an award-winning musician who is blind and autistic with Savant syndrome. He was born in St. Petersburg, Russia, and grew up in Massachusetts where he began taking piano lessons when he was just three years old. He is an alum of Perkins School of the Blind, and went on to graduate summa cum laude from Berklee College of Music. He performs as a solo pianist, accompanies singers, and plays piano in the Boston Tango Orchestra. Santon produced two albums, “Flavors of the Rainbow,” solo piano classical favorites and “Night Animals,” a duet of spoken word with music created by Santon, and Kentucky native and spoken word artist, C.D. Collins.
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Juliana and Santon on screen for the interview.
[00:02:01.71]
JULIANA: Santon, you are such an awesome musician with an uncanny musical ear. You've really dedicated your life to music, not just studying it and playing it but orchestrating and composing it as well. Can you tell our viewers what made you want to compose music?
[00:02:21.18]
SANTON: I compose music to express myself. I cannot even explain in words, but I can express in music. In the words of Hans Christian Andersen: “When words fail, music speaks.”
[00:02:35.04]
JULIANA: I love that quote, Santon, and I couldn't agree more. Now, you're a multi-talented musician. I know that your principal instrument is the piano. But you also play another of-- excuse me, a number of other instruments as well. Can you tell us what other instruments you play?
[00:02:55.78]
SANTON: OK, I play the violin, the bandoneon, the accordion, the drums, the pan flute, the quena, the harmonica, and handbells.
[00:03:11.86]
JULIANA: Wow, that is unbelievably impressive. I mean, many musicians struggle to master one instrument, let alone a number of them. Now, you're going to be playing two pieces for us. Can you tell us what you're going to be playing?
[00:03:27.86]
SANTON: Well, the first song I'm going to play for you is called: Chopin, Nocturne in E Flat Major.
JULIANA: And the second?
SANTON: The second is called: Nostalgias by Juan Carlos Cobian.
[00:03:43.09]
JULIANA: OK, and you've done something really unique, you actually pre-recorded yourself playing the piano and also playing the violin. Can you tell us a little bit about the other instrument that you will be playing?
[00:03:57.01]
SANTON: Well, the bandoneon is a really crazy instrument. The buttons are placed in random order, no logic whatsoever. I'm currently playing with the Boston Tango Orchestra on the piano, and we have the bandoneon player in the band. I'm amazed by this instrument. A few months ago, I started to play bandoneon and it's getting a lot challenging, but I can get it.
[00:04:29.08]
JULIANA: (Laughing) Well, I admire your perseverance. Now, tell me, where did the bandoneon come from?
[00:04:35.62]
SANTON: The bandoneon came from Germany by the inventor named Heinrich Band. The bandoneon was actually-- this instrument was sold to churches, for playing religious music. And the Argentine people were like, come on, get out of here. We want more tango, we want to play danceable music. And so the bandoneon was exported to Argentina as an iconic tango musical instrument.
[00:05:04.77]
JULIANA: Well, thank you for that little piece of musical history. I'm really looking forward to hearing it. I'm going to give you a second to go get in position.
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Juliana in her studio.
JULIANA: Now, I've had the opportunity to experience Santon play in the past, and, I think, you are in for a real treat.
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Santon seated at a grand piano in his home, ready to perform.
[00:05:26.81] [MUSIC-CHOPIN, “NOCTURNE"]
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The words “Nocturne in Eb Major”” in white letters inside a black rectangle appear on the bottom left of the screen.
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Juliana in her studio.
[00:09:38.80]
JULIANA: As we mentioned during his interview, Santon will be playing three different instruments in this next performance. The violin, the piano, and the bandoneon.
[IMAGE]
Videos of Santon in 3 different parts of the screen: (Left side of screen) Santon is sitting on a chair in front of his grand piano holding on to the bandoneon with both hands; (Top right of screen) Santon playing the violin: (Bottom right of screen) Santon playing the grand piano.
[00:09:52.70] [MUSIC-JUAN CARLOS COBIAN, "NOSTALGIAS"]
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The word “Nostalgias” in white letters inside a black rectangle appear on the bottom left of the screen.
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Juliana in her studio.
[00:13:48.73]
JULIANA: What a beautiful performance. Santon, that was absolutely,…
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Juliana and Santon on screen.
JULIANA: … outstanding.
[00:13:56.50]
SANTON: Thank you very much, thank you.
[00:13:58.51]
JULIANA: You are so welcome. Thank you, so much.
JULIANA: And now, for a little background on our second brilliant artist.
[MUSIC PLAYING]
[IMAGE]
Excerpts of several short videos of Bob Kinkel performing: (1) Close-up of Bob playing the keyboard; (2) Performing in concert with other musicians of the Trans-Siberian Orchestra; (3) Bob playing a grand piano during a performance; (4) Bob performing a keyboard solo in concert.
[00:14:11.02]
JULIANA: Bob Kinkel is a music producer and composer best known for his role as a co-creator, co-producer, co-composer and musical director of Trans-Siberian Orchestra. He co-wrote TSO's two-hit multi-platinum selling songs, “Christmas Eve Sarajevo 12/24” and “Wizards in Winter,” resulting in sales close to $10 million. In the past 40 years, Bob has worked with artists such as Five for Fighting, The Who, Aerosmith, and Genesis. He was educated at Columbia University and Hamilton College, and has received honors and awards from Williamsville Education Foundation, and Buffalo Music Hall of Fame.
[IMAGE]
Juliana and Bob on screen for the interview.
[00:14:56.77]
JULIANA: Bob, I've known you for several years. But many of our viewers may not. Can you tell us a little bit about the role that music plays in your life and how you got started?
[00:15:08.43]
BOB: I've been kind of playing music my whole life. There's pictures of me when I'm two years old reaching up and playing the piano keyboard, and there's always music around in the house. Both my dad and mom played piano a little bit. Dad was always in community theater. My grandmother's side of the family, there's just music all the time, everybody's always singing and playing. And, my mom's dad was a crazy gifted musician, didn't do much with it, but there's a lot of music floating around at all times.
[00:15:40.71]
BOB: And where I grew up outside of Buffalo, New York, in Williamsville, they had one of the top music programs anywhere in the country. And they stick an instrument in your hand when you're in second grade. So, I played in band, I played saxophone, played flute. Had some piano lessons when I was young. And then they were canceled because, of course, I didn't practice. And then high school, started teaching myself, had some really good music teachers that-- I'd bring in a record from some pop music and they say, that was a classical piece. And I go, it is, and they buy me the music and give me pointers of how to play.
[00:16:20.88]
BOB: So, it's like a-- just a progression from when I was a little kid. Just kept playing all the time, be told I was supposed to go to pre-med, be a doctor, be a lawyer, all this
[INAUDIBLE] your parents tell you you're supposed to do. And I always kept coming back to music. I was in bands in high school, bands in college. And then, after I graduated from Hamilton College, I stayed an extra year because I had a band on campus. And we wanted to see if we could keep it going another year, but that fell apart. So, I ended up working for the physics department, I was a church organist.
[00:16:57.32]
BOB: And through all that, ended up applying to Columbia for grad school in solid-state physics, and got in on a full ride. And then quit that halfway through and went to work at a record plant in New York. Because I was always playing around with music, electronic music. I have bought my first synthesizer back in 1975, Minimoog, set up my basement where I grew up as a studio. And then, just always enjoyed the recording. When I had a band, I always had the PA, I was the guy with the PA in the van. So, I was always popular, always popular. And--
[00:17:35.72]
JULIANA: (Laughing) I can totally picture you in a van.
[00:17:39.04]
BOB: Oh, yeah, we had the VW van, shoving all the crap in there. It was great. It was some amazing times. And then at Record Plant I got to work with some of the greatest musicians and engineers in the world. It was Roy Cicala, who's the guy that taught Jimmy Iovine and Jack Douglas, all these amazing top engineers and producers. I got to learn from him as well as all the other people working at Record Plant. And after being on the recording side of the glass for a few years, I realized that I could actually play as well as most of the session players coming through.
[00:18:15.42]
BOB: So I started branching out into becoming a session player. And in the 80s was doing jingles, and whatever other sessions would come my way. Did the Hefty trash bag commercial and the mid '80s. (SINGING) Hefty, Hefty, Hefty. That was me and my friend Charlie. Yeah, that was all over and that was actually the first time you start making a little bit of money, so you can afford your music habit, and buy all the toys and synthesizers, and everything else that I'd work with, so.
[00:18:45.74]
JULIANA: I understand that, and knowing you for about a decade now, it's just so apparent that music just lives in you, it resides in you. Now, this past year, it's been filled with many challenges for a lot of people. And it seems that you have really used this time to create and work on inspiring projects. Can you tell us a little bit about the projects that you're currently working on?
[00:19:11.45]
BOB: We've been working on this project for a long time, it's called “Avalona.” And it's an artist's name, but it's also going to be an immersive musical project. And that we spent the last year-- Dina has been writing like crazy. She wrote the story, it's the story of her life, and its incredible journey, just coming to the light, learning to live, love, see. There's no way I'm doing it justice right now, I'm horrible at elevator pitches. But it's this project we've been working on, it's got-- show the logo. (Placing a black baseball cap with the “Avalona” logo on his head.)
[00:19:54.01]
JULIANA: (Laughing) Oh, I love it.
[00:19:55.85]
BOB: Yeah, so we've been working on that and we're past the pre-production stage, and going for full production now. And talking with these amazing artists and directors, and really looking forward to having it hopefully, show itself in some form by this Fall. So, fingers crossed for that. But in the meantime, just writing new music and we also had the opportunity-- Dina produced this 2-minute segment for Telemundo TV and actually went to every Spanish language TV in the world, well, in the US.
[00:20:35.67]
BOB: We-- for this project called Nurse Heroes, which is an organization that promotes and raises money to help train and fund nursing, because we have a huge shortage of nurses in this country. And if things stay as they are we're going to be short about a million nurses within the next year. So, we had this opportunity to work with this Hispanic Nurse Heroes choir, and we arranged the Star-Spangled Banner in Spanish going back to the original FDR-approved Spanish version of the Star-Spangled Banner.
[00:21:13.23]
BOB: And went back, it started with what they called the service version from 1900. And then added our own touches to the arrangement. And then filmed it in Red Hook. And it was shown on 4th of July and now J. Lo has embraced it, and introduces it now. So there's another version that's out too. So she's supporting it, and there's an English choir version that was out in February that Oprah sponsored, and all that. So we're doing a lot to raise awareness for nurses.
[00:21:48.22]
JULIANA: Well, that's amazing and if there's any group of people that really deserve it, it is nurses around the world. So, thank you for doing that. I'm so thrilled that we have the opportunity to have you play on Common Chords. I'm going to give you a minute to go get in position.
[IMAGE]
Juliana in her studio.
JULIANA: And I have had the opportunity to experience Bob play live in the past and, I think, you are really going to enjoy this.
[IMAGE]
Bob getting ready to play a grand piano.
[00:22:20.93] [MUSIC-BOB AND TRANS-SIBERIAN ORCHESTRA, "CHRISTMAS EVE SARAJEVO 12/24"]
[IMAGE]
The words “Christmas Eve Sarajevo 12/24”” in white letters inside a black rectangle appear on the bottom left of the screen.
[IMAGE]
Close-up of Bob’s hands on the piano keyboard.
[00:25:47.08]
BOB: I thought I'd start with a little bit of Christmas in the middle of the summer. That was “Christmas Eve Sarajevo 12/24.” And now I'd like to invite up my life partner, and writing partner, Dina Fanai. This is a song we wrote last summer in the middle of the pandemic and it's a song about coming through to the other side, and I hope we have. This song is “Love Again.”
[00:26:14.63] [MUSIC-DINA AND BOB, "LOVE AGAIN"]
[IMAGE]
Bob playing the grand piano.
[IMAGE]
The words “Love Again”” in white letters inside a black rectangle appear on the bottom left of the screen.
[IMAGE]
Dina Fanai singing next to the grand piano as Bob plays.
[00:26:24.56]
DINA: (SINGING, WITH BOB ACCOMPANYING) Where's the sky that I recognize. Where's the moon. Will I wake up soon. Hard to swallow. Heart so hollow. Scared docking inside. I surrender, pain and pleasure. Let me touch what's real. We can love, we can love, we can love. We can love, we can love, we can love. We can love, we can love, we can love. We can love, we can love, we can love, again. Again. Is this home.
[00:28:00.92]
DINA: Are you still alone. Letting go of all we used to know. Frozen in time, turn on the light. Is the end in sight. I remember, pain and pleasure, let me touch what's real. We can love, we can love, we can love. We can love, we can love, we can love. We can love, we can love, we can love. We can love, we can love, we can love, again. Again. Again. Again.
[IMAGE]
Juliana in her studio.
[00:29:49.83]
JULIANA: Bob, oh, wow, that was such a remarkable performance. I always love hearing and seeing you perform.
[IMAGE]
Juliana and Bob on screen for the interview.
JULIANA: And it was so nice to have Dina as well. I mean, she was a guest on our last episode of Common Chords. So it was lovely to experience her again as well.
[00:30:11.86]
BOB: Thank you so much, thank you.
[00:30:13.62]
JULIANA: No, thank you. I can't thank you enough. So, I'm going to bring Santon back in to join us.
[IMAGE]
Juliana, Bob and Santon on screen for the group interview.
JULIANA: And gentlemen, I would love to give our viewers an opportunity to hear you both play again, would you be willing to do another song for us?
[00:30:30.80]
SANTON: Yes, certainly. Certainly!
[00:30:34.43]
JULIANA: I love the enthusiasm, Santon. Thank you.
[00:30:38.00]
SANTON: The song I'm going to play is called, “Dreaming of You,” and this goes to my girlfriend from New York City.
[00:30:46.30]
JULIANA: That's awesome, Santon. I'm so excited to hear some of your original work. I'm going to give you an opportunity to go get in position.
[IMAGE]
Juliana and Bob on screen for the interview.
JULIANA: And Bob, can you tell us what you will be performing next.
[00:30:59.66]
BOB: I'm going to be playing a song called “Minor Promises.” It's based on the song-- one of the first songs I wrote with Paul O'Neill for the Trans-Siberian Orchestra project called “Promises to Keep.” And when he passed away, I turned it into a piano piece, and changed it from major key to a minor key. And is just something, helps me think of him, and it's a very beautiful piece in its own right.
[00:31:24.08]
JULIANA: Excellent. I'm really excited to hear it, and such a lovely tribute. I'm going to give you a second to go get in position as well.
[IMAGE]
Juliana in her studio.
JULIANA: And then, after both artists perform their last piece, we're going to bring them both back up and give them an opportunity to comment on each other's work.
[IMAGE]
Santon playing on a grand piano.
[00:31:45.69] [MUSIC-SANTON, "DREAMING OF YOU"]
[IMAGE]
The words “Dreaming Of You”” in white letters inside a black rectangle appear on the bottom left of the screen.
[IMAGE]
Bob playing the piano, with close-up shots of his fingers on the keyboard.
[00:36:16.64] [MUSIC-BOB, "MINOR PROMISES"]
[IMAGE]
The words “Minor Promises”” in white letters inside a black rectangle appear on the bottom left of the screen.
[IMAGE]
Juliana in her studio.
[00:39:29.56]
JULIANA: Those were really beautiful and moving performances. And it reminded me that it doesn't matter what kind of music you play or where you train, or even what studio you record in. What really matters is the passion and the heart, and the music. We're now going to bring both our artists back up and give them an opportunity…
[IMAGE]
Juliana, Santon and Bob on screen for the group interview.
JULIANA: …to tell each other how they feel about the other one's music. So, Bob, can you give me a couple of comments on Santon's music?
[00:40:03.70]
BOB: Santon, that is beautiful, beautiful playing. That's one of my favorite Chopin Nocturnes. And…
[IMAGE]
Santon and Bob on screen to speak with each other.
BOB: …I have to actually pull out that music again, because I miss playing that. I don't think I've played it for maybe 20 years or so. So, you've inspired me to do that.
[00:40:19.46]
SANTON: Thank you.
[00:40:20.23]
BOB: Yeah, and that tango piece, it's gorgeous, it's amazing. And how you figure out what all those buttons do, I have no idea. So, I was very impressed.
[00:40:30.88]
SANTON: Thank you.
[00:40:32.21]
BOB: And, the song for your girlfriend, beautiful, beautiful, beautiful song. I'd written a song called “Dreaming” also for Dina, a long time ago. So it is funny you have that same similar name. But beautiful, beautiful work.
[00:40:47.50]
SANTON: Thank you, thank you, thank you. So, Bob, I really enjoyed your playing. Your playing was remarkable. This really want to make me cry in joy. And the Carol and-- the arrangement for the Carol of the Bells was just like-- it's like using-- your arrangements for Carol of the Bells reminds me of a scene for a movie, or even a Cirque du Soleil performance.
[IMAGE]
Juliana, Santon and Bob on screen together for the group interview.
[00:41:24.61]
JULIANA: I love that example, Santon. It does remind me of something that would go with a Cirque du Soleil performance. I couldn't agree with you more. I want to thank you both for sharing your musical gifts. Santon, can you tell us where our viewers can go to hear more of your music?
[00:41:45.75]
SANTON: All right, first off-- sorry, if I'm talking extra here. So my music is on YouTube, which is Santon Music, and on my Facebook page,…
[IMAGE]
The words “Santon Music on YouTube” in white letters inside a black rectangle appear below the video of Santon.
SANTON: …Santon's Music.
[IMAGE]
The words in white letters change to “SantonsMusic on Facebook,” and it is then replaced with just the word “Santon.”
[00:42:00.14]
JULIANA: Excellent, and we will make sure to link those below so that viewers can easily find them. And Bob, where can our viewers go to hear more of your music?
[IMAGE]
The words “Trans-Siberian Orchestra on YouTube”” in white letters inside a black rectangle appear below the video of Bob.
[00:42:09.86]
BOB: You can go for the Trans-Siberian Orchestra music, you can hear that, it's on YouTube, or, I think, it's trans-siberianorchestra.com is the website, and there's all kinds of stuff there.
[IMAGE]
The words in white letters change to “www.trans-siberian.com”
[00:42:09.86]
BOB: And all the current stuff that I'm doing with Dina, it's on all platforms under Avalona, A-V-A-L-O-N-A. And, there's also avalonamusic.com
[IMAGE]
The words in white letters change to “Avalona,” and it is then replaced with “www.avalonamusic.com”
[00:42:34.04]
JULIANA: Wonderful. We will also link those below and I am so excited about avalona music.
[IMAGE]
The words “Bob Kinkel” in white letters appear below the video of Bob.
JULIANA: We really appreciate both of you taking the time to be here. We look forward to hearing more of your music in the future.
[00:42:49.40]
SANTON: Thank you very much, thank you. It was a great pleasure performing for you.
JULIANA: Absolutely, it was a great pleasure to hear you, Santon. It was flawless.
[00:42:59.83]
SANTON: Thank you, thank you so much.
[00:43:02.27]
JULIANA: You're welcome. And Bob, thank you, as well.
[00:43:06.08]
BOB: Thank you for having me on. It was a pleasure.
[IMAGE]
Juliana in her studio.
[00:43:09.70]
JULIANA: Every musician is as distinctive as their music, and is unique as the effect that music has on those who experience it. We celebrate our differences and are excited to build this unified, creative, and distinct space, where open minds and open hearts can always strike a Common Chord.
[IMAGE AT BOTTOM OF SCREEN]
Red button with the word “SUBSCRIBE” in white letters and an icon of a hand pointing at the button.
[IMAGE]
[CLICKING SOUND]
Hand icon clicks on button, and the YouTube icon appears on the left.
Text in button changes to “SUBSCRIBED” and button changes to a grey color.
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[BELL RINGING]
A bell icon appears to the right of the “SUBSCRIBED” button. The hand icon clicks on the bell. The YouTube icon moves to the right side of the screen and disappears.
JULIANA: On behalf of Daniel's Music Foundation, thank you for tuning in. And I look forward to being with you again, real soon.
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DMF common chords logo with the tagline “BRINGING MUSICIANS TOGETHER”
[IMAGE]
Final Screen includes an image of Daniel’s Music Foundation’s logo and its social media handles on a white background:
Facebook @DanielsMusicFoundation(link is external)
Instagram @dmfmusic(link is external)
Twitter @DanielsMusicFdn(link is external)
YouTube Daniel’s Music Foundation(link is external)
Links:
DMF Instagram: https://www.instagram.com/dmfmusic/
DMF Facebook: https://www.facebook.com/danielsmusicfoundation/
DMF Twitter: https://twitter.com/DanielsMusicFdn
DMF YouTube: https://www.youtube.com/c/DanielsMusicFoundation
DMF website: https://www.danielsmusic.org/